OperaDB

Giuseppe Tisci Rubini

also Giuseppe Tisci-Rubini

1867Greatest Opera Singers (2014) Giuseppe Tisci Rubini (Bass) (Naples 1867 – Naples 1936). (Accessed: 26 September 2026).Classical Music CDs (n.d.) Italian Bass Giuseppe Tisci Rubini (1867-1936) CDR. (Accessed: 26 September 2026).Kutsch, K.J. and Riemens, L. (1987) 'Tisci-Rubini, Giuseppe', in Großes Sängerlexikon. Bern and Stuttgart: Francke, vol. 2, cols. 2982-2983.–1936Greatest Opera Singers (2014) Giuseppe Tisci Rubini (Bass) (Naples 1867 – Naples 1936). (Accessed: 26 September 2026).Classical Music CDs (n.d.) Italian Bass Giuseppe Tisci Rubini (1867-1936) CDR. (Accessed: 26 September 2026).Kutsch, K.J. and Riemens, L. (1987) 'Tisci-Rubini, Giuseppe', in Großes Sängerlexikon. Bern and Stuttgart: Francke, vol. 2, cols. 2982-2983. · Italian · bassGreatest Opera Singers (2014) Giuseppe Tisci Rubini (Bass) (Naples 1867 – Naples 1936). (Accessed: 26 September 2026).Classical Music CDs (n.d.) Italian Bass Giuseppe Tisci Rubini (1867-1936) CDR. (Accessed: 26 September 2026).Kutsch, K.J. and Riemens, L. (1987) 'Tisci-Rubini, Giuseppe', in Großes Sängerlexikon. Bern and Stuttgart: Francke, vol. 2, cols. 2982-2983.

Birthplace: Naples, Kingdom of ItalyGreatest Opera Singers (2014) Giuseppe Tisci Rubini (Bass) (Naples 1867 – Naples 1936). (Accessed: 26 September 2026).Classical Music CDs (n.d.) Italian Bass Giuseppe Tisci Rubini (1867-1936) CDR. (Accessed: 26 September 2026).Kutsch, K.J. and Riemens, L. (1987) 'Tisci-Rubini, Giuseppe', in Großes Sängerlexikon. Bern and Stuttgart: Francke, vol. 2, cols. 2982-2983.

An Italian bass from Naples whose career ran for more than forty years, later in comprimario partsGreatest Opera Singers (2014) Giuseppe Tisci Rubini (Bass) (Naples 1867 – Naples 1936). (Accessed: 26 September 2026).Classical Music CDs (n.d.) Italian Bass Giuseppe Tisci Rubini (1867-1936) CDR. (Accessed: 26 September 2026).Kutsch, K.J. and Riemens, L. (1987) 'Tisci-Rubini, Giuseppe', in Großes Sängerlexikon. Bern and Stuttgart: Francke, vol. 2, cols. 2982-2983.. On 22 November 1898 he created the Blind Man in Mascagni's Iris at the Teatro Costanzi in Rome, repeating it at La Scala in 1899Greatest Opera Singers (2014) Giuseppe Tisci Rubini (Bass) (Naples 1867 – Naples 1936). (Accessed: 26 September 2026).Classical Music CDs (n.d.) Italian Bass Giuseppe Tisci Rubini (1867-1936) CDR. (Accessed: 26 September 2026).. He was a favourite at the Teatro Massimo in Palermo from 1901 to 1905Greatest Opera Singers (2014) Giuseppe Tisci Rubini (Bass) (Naples 1867 – Naples 1936). (Accessed: 26 September 2026).Classical Music CDs (n.d.) Italian Bass Giuseppe Tisci Rubini (1867-1936) CDR. (Accessed: 26 September 2026).Kutsch, K.J. and Riemens, L. (1987) 'Tisci-Rubini, Giuseppe', in Großes Sängerlexikon. Bern and Stuttgart: Francke, vol. 2, cols. 2982-2983., and in 1904 created Lo zio Bonzo in the revised Madama Butterfly at BresciaWikipedia (2026) Madama Butterfly. (Accessed: 25 October 2026).. At the Teatro San Carlo he stayed popular until 1934Greatest Opera Singers (2014) Giuseppe Tisci Rubini (Bass) (Naples 1867 – Naples 1936). (Accessed: 26 September 2026).Classical Music CDs (n.d.) Italian Bass Giuseppe Tisci Rubini (1867-1936) CDR. (Accessed: 26 September 2026).Kutsch, K.J. and Riemens, L. (1987) 'Tisci-Rubini, Giuseppe', in Großes Sängerlexikon. Bern and Stuttgart: Francke, vol. 2, cols. 2982-2983., singing in the premieres of Lattuada's Don Giovanni and Alfano's L'ultimo lordGreatest Opera Singers (2014) Giuseppe Tisci Rubini (Bass) (Naples 1867 – Naples 1936). (Accessed: 26 September 2026).Classical Music CDs (n.d.) Italian Bass Giuseppe Tisci Rubini (1867-1936) CDR. (Accessed: 26 September 2026)., and afterwards taught singing in NaplesGreatest Opera Singers (2014) Giuseppe Tisci Rubini (Bass) (Naples 1867 – Naples 1936). (Accessed: 26 September 2026).Classical Music CDs (n.d.) Italian Bass Giuseppe Tisci Rubini (1867-1936) CDR. (Accessed: 26 September 2026).Kutsch, K.J. and Riemens, L. (1987) 'Tisci-Rubini, Giuseppe', in Großes Sängerlexikon. Bern and Stuttgart: Francke, vol. 2, cols. 2982-2983..

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